Great Soliloquies of Shakespeare †Research Methods Assignmnet Essay

Scholastically Shakespeare has made the absolute most notable works, writing, and characters in our field, one such case of a character whose presence looks like that of a twofold edged blade to pundits is Hamlet and his popular section â€Å"To Be or not to Be: That is The Question†. This lead to explore diving into the possibility of Shakespeare’s characters being considered as so ‘human’ that they likewise speak with their still, small voice through their monologues. In this manner how can one recognize a character’s persona among different characters and the character’s inward persona frequently marked as the Conscience? In the initial piece of his book Shakespeare: The Invention of the Human, Harold Bloom, who had shown the subject of Shakespeare and Shakespearean Literature and Performance at Yale for quite a while, suggests that before Shakespeare, the characters in plays would disentangle anyway not so much extend and develop. In case a character essentially grows, we as of now surmise that we certainly have a universal knowledge of them when they at first are exhibited before a group of people in front of an audience or in the pages of a book. Their makers have precluded them from claiming the one component that would make them charming: the breaking point concerning self-examining that may reveal something astounding to us perusers just as to the characters themselves. They give us little since they can’t puzzle us in any capacity, essentially in light of the fact that they can’t stun themselves. This may be the current reality like the researcher who leaves a data meeting and pon ders internally, â€Å"Nothing I haven’t heard before,† and a while later says to themselves, â€Å"I figure I am what I am!† or â€Å"I have my method of getting things done, and a few people like it and a few people don’t.† Shakespeare doesn't allow us to free so effectively however. He suggests to us that we are who we state we are, but instead are contained many conflicting and darkening parts. As Bloom claims, Shakespeare’s characters develop because of the way that they can hear themselves talk, either to themselves or to different characters, and are along these lines prepared to reevaluate themselves. By providing his characters with expound inward universes, Shakespeare treats us, 400 years in front of Freud, to master introductions of what to the scholastic ear sounds particularly such as self-disclosure. There isn’t only one single Hamlet yet various. Ensuing to learning of his Father’s abrupt passing, he finds (in Soliloquies) that he can’t remain to remain as he is at that point. He is so torn by his inside battles of still, small voice that he considers, in perhaps the most notable talk in all composition, the focal points and disservices of self destruction (â₠¬Å"To Be or Not To Be: THAT is the Question.†). Shakespeare shows to us through Hamlet and various different characters not simply the sine qua non of human development †that with a particular ultimate objective to change ourselves we should initially find our actual selves †yet likewise what that improvement seems like, takes after, and feels like. He shows to us that it is the second when Hamlet is so near falling into despair and spiraling crazy that he at last gets himself. In comparative manners, the youthful Prince Hal, in Henry IV, Part 2, on getting the Throne, ignores his then companions (â€Å"Presume not that I am the thing I was†) and begins his Incredible change from degenerate ruler to King Henry V, Hero of Agincourt. *** So as to investigate the topic of Consciousness in Shakespearean characters, one should initially dive into what Consciousness is. Kant talks about his Theory of Mind and Consciousness with respect to the idea of Apperception: â€Å"The generally focal and explicitly Kantian idea of cognizance is that of apperception. It is contended that ‘apperception’ isn't to be comprehended as hesitance or mindfulness. Or maybe, apperception is an ability to know about one’s unconstrained exercises, and it tends to be additionally broke down as the capacity to react to rules and norms.† Therefore, ‘apperception’ accept a central part in Kant’s speculative thinking just as in his theory. ‘Inward sense’ is another central thought for Kant. In the essential examinations and later works, Kant recognizes the contrasts among apperception and internal sense: the internal sense is the familiarity with what occurs inside the mind rather than appe rception, which is the attention to one’s activities. These two thoughts of mindfulness, ‘inward sense’ and ‘apperception’, produce two through and through various inquiries concerning the association among discernment and nature. From one perspective, there is the subject of how internal or mental nature is related to physical nature; on the other hand, there is the subject of how suddenness is related to the whole of nature, inside nature and also outer. So how does this put forth a concentrated effort to works, for example, Hamlet? Hamlet is filled with internal and outward clashes, which at last manufactures his way to his end. The inward conflict experienced in Hamlet lies in the psychological disgruntlement of the play’s principle character, Hamlet himself. At an inside level, Hamlet is apparently delaying his retaliation since he is ‘divided’ by his mother’s foul play of his perished father and her union with Claudius, which is a consistent interruption to him. This internal interruption is conflicting with the apparition’s demand for reprisal. Tabassum Javed in â€Å"Perfect Idealism in Shakespeare’s Prince Hamlet† ascribes Hamlet’s inward battles to a contention between his own gloom and the ghost’s request for retaliation. Javed states, â€Å"He can spare himself and Denmark by murdering Claudius, however to slaughter Claudius is to showcase his father’s wish and the catastrophe for Hamlet is that this strategy consummately agrees with the arrangement of his own concern. Hamlet is conflicted between two strategies, both similarly painful† (327). To this reality, Hamlet’s internal interruption lies predominantly with the association between his mom and uncle. The chief line he communicates is, â€Å"a minimal more family and not exactly kind† (Shakespeare I.2.65). Hamlet fights with the possibility that his mom Gertrude could deceive his dad. The betraying of his dad weighs intensely on Hamlet’s mind since he doesn’t realize how to deal with his curbed feelings about his mom and his own specific oedipal sharpness towards his dad. In like manner, the psychological paralyze of losing his dad is extended by an evident traitorousness to the holiness of marriage and family ties. Kawsar Uddin gathers Freudian examinations of Hamlet’s parental relationship communicating, â€Å"Hamlet in his oblivious had a perverted want for his mom and had a deadly want towards his father† (695). In the discussion that happens in Act 1 Scene 2, where his mom, Gertrude, questions Hamlet’s sorrow his m ental state and inward clash become evident and clear; â€Å"If it is, the reason appears it so specific with thee? †¦ Seems, madam? Nay, it is. I know not ‘seems’ †¦ Together with all structures, states of mind, states of melancholy, †¦ That can mean me truly†¦ These surely ‘seem,’†¦ For they are activities that a man may play†¦ But I include that inside which passeth appear, These yet the trappings and the suits of woe† (line 74†85). Hamlet conveys his real mental anguish to his mom and is apparently stunned at her impassion and absence of disheartening for her perished spouse. Hamlet’s issues with his mom transform into an interior hurricane that pushes the story forward. Sandra Young talks about the possibility of Hamlet experiencing an extreme type of the Oedipus Complex in her paper â€Å"Recognising Hamlet.† Young battles, â€Å"â€Å"Oedipus offers a clarification for this overwhelming Hamlet’s uncertainty in the matter of avenging his father’s demise †he can’t murder the usurping Claudius since he unwittingly relates to him† (14). The likelihood that Hamlet quickly loathes his uncle for killing his father yet meanwhile is desirous in an oedipal structure strikes at the core of the interior anguish that Hamlet is encountering from without a doubt the beginning stage of the play. After an experience with his uncle and mother, he states, â€Å"Fie on ’t, ah fie!. Things rank and gross in nature have it merely†¦ So wanting to my mom is it her face too roughly!† (Act I, Scene 2, Lines 135†141). He confirms that the nursery (his family) isn’t being kept and becoming widespread and wild. He doesn’t express his discontent towards his mother anyway holds it inside empowering it to decay and push aside all types of rationale from his psyche. The subject of inheritance to Hamlet isn’t pretty much assuming his father’s position, yet in addition the topple of his father’s incredible situation on the seat concerning his mom. It is this interior fight portrayed by Hamlet’s postponement of his father’s counter that edifies the social affair of individuals into his internal fight. Javed explains, â€Å"Hamlet could take care of business of definitive activity, equipped for anything †aside from the avenging of acts, his heart intuited, that was with regards to his own stifled desires†. This internal reluctance between his profound seeded scorn for his uncle who killed his dad yet simultaneously significant regard for doing what he may have needed himself is shown at in the substance as he questions the apparitio

Personality Development Case Essay Example for Free

Character Development Case Essay Accomplishment in business and individual life is dictated by one’s capacity to discuss successfully with others. â€Å"Social intelligence,† or the capacity to communicate, speak, haggle with, and convince others, is the most generously compensated and regarded type of expertise one can have, and this can be created. Understudies taking an interest in this program will encounter an exceptional change as far as character, relational abilities, certainty level and the perspective on. The whole program depends on the idea of learning and obtaining abilities most successfully when one isn't feeling the squeeze. The entire procedure of obtaining abilities resembles a game †engaging and energizing. It is like the manner in which a kid figures out how to convey and get aptitudes, however with more noteworthy mindfulness. Essential Personality Development Workshop A wholistic workshop concentrated on the people appearance, basic manners, and character. This workshop will assist the members with projecting themselves in a corporate setting through decent behaviors and manners. Nearness, Polish, and Power Workshop This workshop expects to assist members with anticipating a certain, proficient and cleaned picture. The Art of Business Dining This is a far reaching meeting on all that one has to think about high end food: from utilization of essential instruments to taking part in table talk. The target of this course is to assist the individual make a positive impression with others and improve the picture of the organization the person in question speaks to. Wellbeing in the Workplace This workshop was intended for pioneers and people who will in the long run oversee groups. Stress influences profitability and cooperation. Its in this manner significant for a pioneer to address genuine and potential stressors in the workplace and at home. Making Lasting Connections This workshop fills in as a prologue to the study of social knowledge it will assist you with picking up experiences on human relations; how to all the more likely read individuals, circumstances and respond likewise. Key Topics * Personality Development * Confidence Building * Business Etiquette * Corporate Grooming * International Etiquette * Social Etiquette * Dining Etiquette/Table Manners * Gentlemen Etiquette * Ladies Etiquette * English Voice/Accent * Dress Code * Presentation Skills * Personal Counseling

Riot Round-Up The Best Books We Read in April

Riot Round-Up The Best Books We Read in April Riot Round-Up The Best Books We Read in April Black Lake by Johanna Lane A modern family living in the husband’s familial crumbling and ancient Irish estate run out of money and open the house to the public as a tourist attraction. They move out of the big, damp house and into a tiny cottage, where the close proximity causes friction and eventually, tragedy. If you’re into RUINOUS, HOUSE OF USHER style mansions, big family SEEECREETTS, and slim books with heavy, ominous tones, this’ll be right up your alley. It’s creepy without anything creepy actually happening. It’s very Emily Bronte-ish, but without the animal abuse or dozens of characters named after each other or insufferable melodrama (I have feelings about Emily Bronte). It’s just unsettling, impressively crafted, and bananas-insightful about marriage, family, and why we hide things from people we love.  Amanda Nelson   The Bookseller by Mark Pryor After absolutely falling in love with Laura Florand’s novels in March, I basically spent all of April reading books about French pastry chefs and chocolatiers. The Bookseller was the only non-Florand novel that managed to hold my attention. It has everything you could want: a gun-toting Texan, embassy officials, a smart-mouthed secretary, rare books, Nazi hunters, Paris, a hard-drinking CIA operative with his own agenda, fancy-pants aristocrats, a mysterious woman with secrets, Agatha Christie references, and a totally creeptastic villain. I saw many of the early twists coming from a mile off, and there are a hella lot of coincidences, but the plot redeems itself in the end with a very clever series of red herrings. I would recommend The Bookseller to anyone who enjoys a good mystery or books about books.  Tasha Brandstatter   The Empathy Exams by Leslie Jamison I love to read personal essays, but it’s been awhile since I found a collection that knocked me back on my heels like The Empathy Exams. Leslie Jamison’s writing is elegant and honest, and reflects a person who is profoundly curious about the world around her, especially the world of pain and suffering. The book asks a lot of hard questions about how to understand and react to the pain of others and how we can better try to understand each other. If you are skeptical about an essay collection, you can read versions of the first and last essays of the book (my favorites) online to get an idea of what you’re missing â€"“The Empathy Exams” from Believer Mag and“Grand Unified Theory of Female Pain” from The Virginia Quarterly Review.  Kim Ukura   Finch by Jeff Vandermeer Detective John Finch is assigned a murder to investigate. Only, the city he lives in, Ambergris, has been invaded by creatures that are fungal in nature and many of the buildings have been turned into weird half-living mushrooms. It is now ruled by monstrous gray caps, creatures far more powerful than humans, and their designs on Ambergris are unclear. Finch has to solve the murder or likely be killed himself, but he is just as much of a mystery as the case. We learn early on that John Finch is not his name and that he claims not to be a detective at all. The style of writing takes a bit of getting used to and will probably turn a few readers off. However, the book is delightfully weird, reminding me of China Mieville’s books at times. If you like your fiction dark, your cities dystopic and your antagonists otherworldly, this is your thing. If any of that sounded the least bit unpalatable, this is perhaps not the book for you. I thoroughly enjoyed it. Johann Thorsson Full Fathom Five by Max Gladstone (July 15, Tor Books) This is the third book in Gladstone’s Craft Sequence, and he just keeps getting better and better. An epic fantasy with a distinctly 21st century feel, Gladstone’s newest novel follows Kai, a young transgender investor/priestess, on her home, the isolated archipelago of Kavekana. Kavekana has managed to stay alive after the God Wars by bowing to neither Divinity or Deathless Kings but by relying on Kai and her order to build artificial, harmless deities for all your worshipping needs. However, when Kai tries to save one of the order’s creations from dying, she begins to realize the true effect of building a god, and how do you stop one from waking up? I did a spotlight on Gladstone, but I’ll say it again here: he is one of the best up and coming fantasy writers out there, able to weave compassion and tension into sentences packed with stunning prose about worlds filled with diversity and magic. Bringing together threads from the first two books, and delivering something wholl y unique, Full Fathom Five blew me away. Bring on book four, I say!  Martin Cahill   The Golem and The Jinni by Helene Wecker Once again I was nailed by my local librarian and not in that way, in this way, the way she has in steering me backwards, brilliantly, toward my eleven year old self and the stories that I, gawky, pudgy, overbite, braces, loved at that age, which is the Sci-Fi/Fantasy portion of everyone’s life. She pushed The Golem and The Jinni on me. And I sat up long after I put the kids to bed to steep in this wonderfully cast tall tale set in 19th century New York where waves of immigrants came in through Ellis Island and where a golem, a homunculus of Jewish mythology, meets a jinni, sprite of the desert Middle East, and they fight crime together like Peace Talk superheros.  Elizabeth Bastos Guy In Real Life by Steve Brezenoff  (May 27, Balzer + Bray/Harper) Lesh and Svetlana run into one another literally on a street corner in St. Paul, Minnesota on Labor Day weekend. What ensues after is a story about a boy who learns there are no such things as manic pixie dream girls and a girl who challenges everyone’s expectations and preconceptions of what “being a girl” is all about. This book is amazingly nerdy, as Lesh is a video gamer (by accident) and Svetlana is dungeonmaster for her own role playing game. Both characters in the story have a voice, and in between their sections are parts played by Svvetlana, the female elf character Lesh plays in his video game. Brezenoff offers humor and heart in the story, challenging and exploring what gender roles are, what sexism is, and what an unconventional romance can be. Though I hesitate to compare it to Fangirl, readers who dug the style of metafiction there will absolutely eat this book up. Even those who aren’t gamers of any color (like myself!) will find that the way it’s been writ ten easy to fall into. This one gets bonus points for its setting; it’s rare we get a book set in St. Paul in YA, let alone one that makes it sound like an awesome place to be. Kelly Jensen The Hare by Cesar Aira, translation by Nick Caistor I recently spoke with the brilliant author Peter Heller, and during our talk he said he had just finished reading The Hare, so I knew I had to pick it up. I find that if I like an author, I usually like what they are reading as well. The language of this book is gorgeous. I can only imagine how challenging it must have been to translate, so props to Nick Caistor. The prose has this intuitive, natural lyricism that blends flawlessly with airs of astute, academic articulation. (Sorry for the overbearing alliteration) Cesar Aira does a tremendous job describing the pampas, making a seemingly dull landscape come alive. I was also quite surprised by the unconventional and unpredictable ending. Consult your Ouija boards, look to your tarot cards, read with a microscope, but I think you’ll be baffled and delighted by how this work wraps up. Aram Mrjoian   How to Tell Toledo From the Night Sky by Lydia Netzer (July 1, St. Martin’s Press) I loved Lydia Netzers debut novel, Shine, Shine, Shine and she didnt disappoint me one bit with her second book. The thing about Netzer is that her writing is funny AND smart, so you actually feel the neurons in your brain rapid firing with every word. Shes completely outside the box, and its fresh, fun, and exciting. How to Tell Toledo From the Night Sky is a genuinely moving love story at its core, with the added bonus of humor that is sweet and almost soul touching. George and Irenes mothers are astrologists who give birth to “twin souls,” and plan to raise them separately so they can meet later and fall in love. The mothers have a little bit of a falling out and it is almost by divine intervention that George and Irene meet again. Its unlike anything Ive ever read before, and for that I am grateful. When I grow up, I want to be Lydia Netzer.  Emily Gatlin The Kreutzer Sonata by Leo Tolstoy I haven’t read a Tolstoy in quite some time, and my return to his race-car-fast-paced fiction is making my head spin. In a good way! I forgot about how personable Tolstoy is, especially when it comes to the crazy characters you’d hope to never be friends with (or randomly meet on a dark train) in real life. Like Posdnicheff, the guy our innocent narrator meets on the train, who happens to be that husband from the paper who killed his wife in a fit of jealous rage, after finding her sleeping with the violinist.  After lurking around and eavesdropping on the other passenger’s conversation for a while, Posdnicheff inserts his own argument, effectivly shuts down the good-natured fun by making everyone else really uncomfortable, then spends the rest of the ride passionately telling his own life story, leading up to marriage, murder and mayhem. It’s a delightful novella to get into as I prepare for my own wedding day, with wisdoms like “Yes, I affirm that love, real love, does n ot consecrate marriage, as we are in the habit of believing, but that, on the contrary, it ruins it.” Honestly though I’m always surprised by how present-day Tolstoy’s conversations are, whether it be love and marriage, family and children, or the mess society is making of itself. Just another reminder that they’re called classics for a reason.  Alison Peters Land of Love and Drowning by Tiphanie Yanique (July 10, Riverhead) This debut novel is so gorgeously written and such a joy to read that I doled it out to myself in 20-page sips to make the pleasure last as long as possible. What more can I say?!  It is challenging in the way that the best  books areYanique asks readers to explore difficult dynamics and sit with uncomfortable momentsand  it makes for an immensely rewarding  reading experience. Im hesitant to say anything that will give away the plot. Come to this book with fresh eyes and an open mind, and be prepared to be dazzled.    Rebecca Joines Schinsky Love Treasure by Ayelet Waldman The Hungarian Gold Train- have you heard of it? I certainly hadn’t, and I was exposed to A TON of Holocaust history as a kid. So what was in this train, discovered by the Allies in Salzburg at the end of WWII? The tangible evidence of a vanished community- the Jews of Budapest, most of whom were killed by the Nazis. In this beautiful and wide-ranging novel, Waldman moves forward and backward through time, charting the movement of a single locket taken from this train, one whose history illuminates the lives of such diverse people as a Jewish American soldier, his granddaughter, and the original owner of the locket. Ultimately, this story is about restitution, even after decades have passed, documents have disappeared, and people have died, for Natalie is asked by her grandfather to go back to Europe and locate the heirs of the locket’s original owner (and return it to them). What I especially appreciated about Love Treasure was Waldman’s exploration of the Israeli Jew Eastern European Jew divide and her foregrounding of history and memory as elements that connect everyone, living and dead. Overall, a lovely book.  Rachel Cordasco   Motherfucking Sharks by Brian Allen Carr I raved about this book last week in the Well-Readheads column, but I have plenty of enthusiasm to rave some more! I loved this book to bloody, chummy pieces! In Motherfucking Sharks, a man and his mule ride into a small dusty town and tell the townspeople to hit the road because the motherfucking sharks are coming to gobble everybody up.  (Well, the man tells them, not the mule. If the mule talked, it would be a Pixar film.) Being that they are in the middle of land, the townspeople think the man is insane and lock him up. So, of course, you know what happens next. (Spoiler: OM NOM NOM NOM.)  This slim book is deliciously disturbing fun and more twisted than a Twizzler, but what really makes it work is Carr’s amazing writing. I immediately bought everything else he has written, because it is as much of his brain as I’ll be able to see without a bone saw.  Liberty Hardy   The Pale King by David Foster Wallace I’m about 50 pages from finishing this unfinished novel, and I’m not sure how I’m going to feel when I have to close the book. That said, for fans of Wallace, this is a must. It contains a wide variety of stylistic approaches and voices, and even though unfinished feels more even somehow than Infinite Jest. I’d recommend approaching the book as a collection as opposed to a novel, with the parts loosely united by a focus on the IRS and the theme of human struggle and growth. Yes, the book does center on an examination of boredom (and Wallace puts you through some real tedium in the reading), but most of the best parts are the long chapters, when the narrative lingers with characters as they take a hard look at themselves. This is Wallace at his best, revealing what these characters may not want to see about who they are while maintaining the potential for the hard-won emergence of their better selves.   Loyal Miles   Rat Queens, Volume 1 by Kurtis J. Wiebe and Roc Upchurch I haven’t exactly been in love with comics lately, despite the abundance of really excellent titles currently being published. One of the comics that is starting to get me out of my funk is Rat Queens from Image Comics. This high-fantasy, adventure series follows a group of “battle maidens-for-hire” as they uncover a murderous plot in their home town. It’s just like Dungeons Dragons if your questing group was a raucous Roller Derby team. That may sound a bit gimmicky, but the charming and well-developed characters give this comic sturdy legs. Rat Queens is a ridiculous amount of fun, and I can’t help but smile and cheer my way through this comic.  Ali Colluccio Red Army Red by Jehanne Dubrow Psst!  Hey, you!  Can I interest you in a book of poetry?  No?  Not even if I remind you that April is National Poetry Month and it’s, like, your patriotic duty to read at least one stanza of verse?  Okay, what if I said this book by Jehanne Dubrow (who also wrote an excellent collection called Stateside, mostly about wives waiting for their soldier-husbands to return from war) was the best poetry about the Cold War you’ll ever read?  (Okay, so maybe it will be the only Cold War poetry you’ll ever read.)  Still no?  Okay, what if I told you Red Army Red was about puberty and coming of age and feels, at times, like a Judy Blume novel (in all the good ways)?  What if I told you it has lines in which a bra becomes a “pair of rockets pointing West, a hook-and-eye defense” or these blush-worthy words: Like the Soviets, my body had a plan    for every phase of development. First hair in places where it wasn’t meant  to grow, bramble covering the compound. Then curves like water waiting for a dam. What if I told you that in these poems, you’d meet River Phoenix, Gordon Gekko, Nancy Reagan (with “her usual shoulder pads”) and Lech Walesa?  Would you read it then?  Well, would you?  Still no?  Then I’m afraid, Comrade, we must send you to the gulag.   David Abrams   Relativity by Cristin Bishara Every now and again, an eBook deal grabs my attention, and then the book sits on my virtual shelf for far too long. This was the case with Relativity by Cristin Bishara, and my goodness, I regret it. I started reading this a few weeks ago, and then really dove in over Easter weekend. Its one of those rare YA books that is really quite unlike anything else out there. Physics, parallel dimensions, and a strong main character brilliant enough to understand it all its a wonderful slice of science fiction that isnt afraid to tug at the heartstrings. A girl is dragged across country, away from her friends and a guy that could potentially be the one, and she finds a tree thats a gate to other universes. She tries to find the perfect one, each universe similar to her home with slight differences, and of course, hijinx and feelings ensue. The characters are memorable, the story is unique, and Im going to be talking about this book for a long, long time. Highly recommend it.  Eric Smith   Robot Uprisings  edited by  Daniel H. Wilson, John Joseph Adams I’ve never been a huge anthology reader.  I find that I’m even less interested in robot stories. But, when the anthology is called Robot Uprisings, and it features writers like Ernest Cline, Charles Yu, and Cory Doctorow, I take notice. I started with their stories, which are good, but it wasnt until I started reading the contributions from the ladies that I really hit my stride.  My favorite story in the collection is from an author Id never heard of before, but that I will be becoming very familiar with very soon. Im making it a point to read everything that Nnedi Okorafor has ever scribbled after the beauty that is Spider the Artist. Its first rate scifi, not to be missed.  Cassandra Neace Roughing It by Mark Twain This is Twain’s six year travelogue about heading west during the expansion of the United States. It’s a brilliant mix of travel writing, tall tales, humor, and some charming illustrations. I don’t have a favorite book by Twain, but I can tell you that Roughing It has my four favorite words that he ever put next to each other. Alas, I can’t tell you about them for secret reasons. But if you can’t find something to smile about in Roughing It, you are probably a cyborg who has yet to learn the value of human life.  Josh Hanagarne Save the Date by Jen Doll I had an amazing reading month, filled with some fantastic books. One of the high points was this book of essays by Jen Doll. Doll has been to 20+ weddings from the afternoon courthouse ceremony to the drunken debauchery of a destination and has learned a little something more with each one. I started this collection with the expectation of a funny romp through the life of a perpetual wedding guest (always a bridesmaid…), and while I definitely laughed, my final impression was of much more contemplative nature. I am quickly approaching Doll’s mark of 20+, and I found so many bits of truth in her writing about relationships, about friendships, about our standards in choosing a mate, about one night (or weekend) stands that her essays have stuck with me much longer than I ever expected.  Rachel Manwill   Self-Inflicted Wounds by Aisha Tyler In a year that seemed stupidly dominated by funny white dudes â€" Rob Delaney, Marc Maron, Jim Gaffigan, Nick Offerman â€" Aisha Tyler’s 2013 book Self-Inflicted Wounds shines like a bright twinkly star. Tyler’s impressive TV resume includes Archer, Ghost Whisperer, CSI, 24, and Friends (yep, she played Ross’s paleontologist girlfriend), but it turns out she’s also a devastatingly brainy stand-up comic with a vocabulary that’ll make you weak in the knees. In Self-Inflicted Wounds she nerds out about her childhood sci-fi obsession, her teenage commitment to brown unitards, and why you’re not trying hard enough unless you’re failing. Hard. Bonus bookish points for references to The Left Hand of Darkness, The Silmarillion, A Song of Ice and Fire, and everything Ray Bradbury has ever written. Get this on audio if you can â€" she performs it herself, which is the only way to do funny books by funny people in my opinion. Rachel Smalter Hall   The Shining Girls by Lauren Beukes Once upon a time, a very bad man named Harper found a key which let him into a house which, in turn, let him travel through time. In the house are trophies from young women he both has not yet/already has murdered, and the house pressures him to go get them. And he does. One of these young girls who shine, in a way that Harper and the house can see, is named Kirby and she is the one who survives his brutal murder attempt. He was never caught (after all, he and the house are never really there, are they?) but she’s determined to find him, and she is brilliant enough that maybe she’ll manage to do it. Beukes wrote an amazing book here which I haven’t even made a dent in describing to you, because I haven’t talked about her amazing job describing the various time periods Harper slips in and out of, nor have I talked about her effortless way with dialog or the cast of characters beyond killer and victim, whom you wind up really caring about. This is a tense, exciting book which r eminded me of another phenomenal recent novel, NOS4A2 by Joe Hill. I read The Shining Girls more or less in a single day, too caught up to get anything else doneand flipping through my copy while writing this review has meant I keep pausing to re-read sections. This is well worth your time, as is everything Lauren Beukes writes.  Peter Damien The Story Hour by Thrity Umrigar Thrity Umrigar turns her expert eye to the immigrant experience, writing about a young, lonely Indian woman, Lakshmi, who ends up in the hospital after trying to commit suicide. Lakshmi bonds with her psychologist, Maggie, a mid-50s black woman married to an Indian man, and Maggie allows the relationship to extend beyond the professional. It’s a beautifully written portrait of two very different women and how they change each other, examining difficult issues of race and forgiveness.  Swapna Krishna   Theatre of the Gods by M. Suddain As per tradition, I cannot  praise something without picking a fight: so it is with Theatre of the Gods, Matt Suddains polymorphic fantasia of a space opera. The novels unashamed ambition, coupled with the overwhelming variety of imagination that Suddain displays, caused much harrumphing amongst critics who prefer their fiction more timid and restrained. As a result, the book didnt get near to the praise it deserved upon its release last summer. Yet Theatre of the Gods is that rare thing, an experimental novel that also serves as a delightful, compulsive page-turner. The metafictional fireworks, sensational though they are, never distract from the adventure at the novels core a psychedelic journey across dimensions aboard a ship crewed by rogues, eccentrics, fools, children and a philosopher who finds himself in the middle of them all. Suddain’s remarkable debut proves that science fiction has not yet become an entirely decadent genre, and we should never be afraid of excess.  Se an Bell   Torn by Justin Lee His peers called Justin Lee “God Boy” when he was a kid on account of his devout Christian faith. He was the ultimate Evangelical poster child: regular youth group attendee, evangelist to the other kids in his school, Bible facts wiz, and so on. He was also hiding, denying, and trying desperately hard not to believe the fact that he is gay. Torn chronicles Justin’s years long struggle to reconcile his faith with his sexual orientation, even going so far as to undergo “treatment” at harmful “ex-gay” ministries. Finally, Justin managed to emerge from the fog and reaffirm his Christian faith while fully accepting himself as a gay man. Torn is to church-sanctioned homophobia what Jesus Feminist is to church-sanctioned sexismâ€"a flashing sign saying, “Look! There’s a better way, a more loving way.”  Kate Scott

Corporate Image And Sustainability An Organization

Corporate image and sustainability rest greatly on the manner in which they respond and manage allegations of legal, social and ethical misbehavior. The reputation of an organization is a primary feature of its ability to operate and function successfully in a global context. When accused of ethical impropriety, it is not uncommon for an organization to errect a stance of denial, excuses, and justifications. The typical reactions of corporate entities seek to â€Å"†¦defend their actions and image† (Eweje Wu, 2010, p. 379). Unethical behavior and the irresponsible responses given by businesses operating in international settings generate a backlash of negative publicity, and public outcry from patrons, citizens, interest groups and†¦show more content†¦Noca-Cola Case Study Noca-Cola, an international soft drink company based in the U.S. has strategically located manufacturing plants in many developing countries around the world. One such plant is located in Colombia. According to sources, the general population are satisfied with the increased number of local jobs and improvements to the county’s economic status. Conversely, the indigenous populations of Colombia recently initiated an informal claim purposing that Noca Cola’s Colombian based plant is situated on indigenous territory. In response, Noca Cola avows that the Colombian government granted permission to place the plant in indigenous territory, due to its potential benefit to the county’s economy. That being said, the Colombian government has a demonstrated record of ignoring the needs and rights of its indigenous groups, in exchange for royalties. Strategic Plan In light of the emerging conflict, Noca Cola offered jobs to the indigenous population. Still the relationship between the parties continues to be overwrought with dispute and relational strain. The Noca Cola dilemma highlights a scenario where having an awareness of social issues and laws does not represent a sufficient course of socially responsible action. â€Å"A corporation is not being socially responsible if

Descriptive Essay about Weird London

There’s nothing easier than writing a descriptive essay about the capital of Great Britain! The thing you should start with is the definition of the descriptive type of writing. Speaking simply, a descriptive essay represents the academic writing form that is based on a detailed description of a building, an individual, notion, place, situation, etc. The main purpose of the paper lies in creating a clear picture of the matter so that the audience can imagine the described thing straight away. If you’re assigned with the task to describe London – you have tons of information to refer to! Create a solid outline in order to list all the facts, peculiarities and characteristics of the place you’re going to talk about. Later, throughout the essay content you will develop each of the items given in the outline. London is a huge ocean of wonders one can talk about endlessly. Try to turn your creativeness on and avoid the well-known facts, replacing them with the points hardly recognized by the London natives! Who says you have no right to drive on the right side of the London road? Yes, you have! Still, you’re welcome to take the left hand side in the Savoy Courtyard only, which is the shortest street leading you straight to the entrance of the Savoy hotel. The river Thames is well-known to a typical tourist and it definitely deserves to be mentioned at least in passing. But! Not a lot of people are aware of the fact that there are many secret rivers right beneath the capital! For instance, one of them, the Efra, flows under the Oval cricket ground. Collect information to create an introductive section. In order to make your readers willing to read more and more, make sure you place some hooking historical or cultural fact about the city in the beginning. How about mysteries? Everyone adores secrets and blood-curdling stories! One of such is the New Scotland Yard mystery. When it was build in 1888, the headless and armless torso of an unknown woman was found in the foundations. Scary enough? All the Criminal Investigation Department resources failed to indentify the dead woman or reveal the murderer’s name. Thus, Scotland Yard was constructed right on the place of a mysterious murder. As for the essay structure – it is up to you to decide how many paragraphs it will include. However, write every paragraph on the basis of a separate idea, starting from an introduction sentence and proceeding to the details. When mentioning the Nelson’s Column, do not forget to say that Hitler planned to dismantle it and then place it in Berlin. When talking about famous Big Ben, make a short history tour by mentioning that in 1995 a small flock of starlings settled on the minute hand and thus, put the time back by almost five minutes. By the way, one more lost river, called the Tyburn, is hidden right beneath the Buckingham Palace. As for the city bridges, make certain to say that the Waterloo Bridge was constructed mostly by women. The weird life of London can be described on an endless amount of pages and it’s up to you to choose what side of the capital to build your essay on.

The Road Summed up Free Essays

What would you do if you had lost everything? Everything and everyone you had ever loved was gone due to tragedy. The world is gloomy and ashened. The term ‘society is no longer a familiar word. We will write a custom essay sample on The Road Summed up or any similar topic only for you Order Now People have regrouped in clan like packs and you are alone. When the world has fallen apart what do you hold on to? The book ‘The Road’ by Cormac McCarthy faces a similar situation. Most have already lost their humanity, however, some strive to keep what it left of what they used to be. Putting all of the gruesome sights of heads on sticks and cannibals aside, there are truly some ndividuals trying to keep their hearts warm and whole. The boy and his attempts to help the helpless, the father and his struggle to stay alive, and the family at the end of the novel are all acts of the struggle of humanity. Throughout the book the boy probably most often keeps his humanity more so than any other. It’s almost as if without him humanity would cease to exist. â€Å"You’re not the one who has to worry about everything. † â€Å"He looked up, his wet and grimy face. Yes I am, he said. I am the one. † (Cormac, 218) I was never very sure if the eason why he wanted to help others was because of who he was as a person or if it was due to the fact that he was Just a child and it was matter of his innocence. There are numerous incidences of which this shows. For example, there’s a part in the novel where the man and the boy find a man struck by lightning on the side of the road. The man says that there was nothing that they can do for him. The boy becomes so overwhelmed he begins to cry right there on the spot because he too was helpless in this situation. Earlier they came across an old man by the name of Ely. His age made im fragile and the boy couldn’t help but recognize this. He was so set on feeding this man he had an argument with his father, the only other person he truly has in this world Just because he wanted to help another. In the end the boy won, and Ely wound up staying with the pair a few extra days. My final significant note to the boys humanity is the man on the side of the road who the father was seeking vengeance toward. In the middle of winter, he stripped him of his clothing and left him there. The man made a comment about not having killed him though the boys rebuttal was But we did. We did kill him. † (219) He says this knowing that he will freeze to death. This was a changing point for the boy in particular. Another character that truly tries to keep his humanity is the father also known as the man. I am aware that he has had his slip ups, although, his most notable and important act of keeping humanity is trying to stay alive as long as possible for his child and to keep him alive as well. â€Å"My Job is to take care of you. I was appointed to do that by God. I will kill anyone who touches you. Do you understand? † (65) Is that ot what any parent in the common, regularly functioning world would do? Of course, and because of this continuing act it is his most significant in humanity to be clung too. Despite his illness of accompanied cough and blood he still does everything he can to preserve and continue to take his child passed the limitations of his body while also fghting off the bad guys Just to keep him safe. There’s also the matter of ‘having the fire’ which can be referred to the boy and man as being the good guys. â€Å"You nave to carry the tire. † â€Å"l dont know now to. † mies you do. It’s inside you. † 23 This is something that the father consistently trues to instill within his son if incase he does go, he knows who he is and what he is capable. Throughout everything trying to remain positive to keep them both going. Another small quip of humanity that I thought was nice is when they find a vending machine of cola (which the boy has never had) and the man refuses a sip Just so the boy can experience it. He does this because this new post-apocalyptic world never allowed for him to have a childhood, and this experience is something that wouldVe been a part of it. Even in the darkness he man still finds ways to give the boy what he shouldVe but never had. My final ode to bits of humanity in this novel is the family. At the ending, once the boys father had died there was a family that had been keeping an eye on him. Once the father of the family came to check on the boy instead of killing him or taking his things he offered to take him in. What was also very heartwarming was that he understood how devastated he was, so even at a time where you always have to keep moving he allowed him time with his now deceased father. A real sweet bit was when the mother of the boys family hugged him. How to cite The Road Summed up, Papers

Anne Carsons Manipulation of Fragments of Sappho free essay sample

In the translation of the remaining fragments of Sappho, the readers of the text can only view Sappho through a narrow lens. Anne Carson’s translation of Sappho’s poetry creates a perspective through which the readers are at the mercy of her editorial choices. Because most of Sappho’s poetry has been lost, translating it into English in a comprehensible way is very difficult. Carson states that, â€Å"on a papyrus roll the text is written in columns, without word division, punctuation or lineation. To read such a text is hard even when it comes to us in its entirety and most papyri don’t† (Carson ix). Carson’s insertion of word division, punctuation and lineation into the English translation of Sappho’s poetry as a result, may, and probably did, change the meaning, underlying message, or understanding of her thoughts. Carson has â€Å"sometimes manipulated it’s spacing on the page, to restore a hint of musicality or suggest syntactic motion† (Carson xi). The question now is: did Sappho’s remaining poetry need the assistance of Carson to retain its musicality? Or is Carson’s manipulation of the text masking other intent? Anne Carson is known to be reticent regarding her personal life, but her scholarly life has been linked with the subject of eroticism and same sex relations. Some of Carson’s works have become Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ) totems, in which the LGBTQ community views her as an advocate for desire, eroticism, and intensity. So much so, that her book Eros of the Bittersweet was heavily discussed in the pilot episode of the L Word, a popular television series that follows the lives and loves of a small, close-knit group of lesbians living in Los Angeles. In this scene, two women who are flirting casually bring up Anne Carson and how her books have â€Å"practically changed my [her] life† (â€Å"The L Word† Season 1 Episode 1). Within the next few minutes these two characters were engaging in sexual acts in a nearby bathroom. Here, Carson’s literature was the motivation for these women to engage in erotic behaviors. Due to the popularity of her texts, which depict the â€Å"extremes of passion and eroticism,† Carson has developed a large following that look to ancient Greek literature to support their views on same sex relations and eroticism (Smith par. ). This following has made Anne Carson significant enough to discuss on the small screen. Carson’s tendency to incorporate or enhance eroticism in her works is evident in her translations of the remaining fragments of Sappho. â€Å"129A but me you have forgotten. † â€Å"129B or you love some man more than me† (Carson 263). These two fr agments were originally on two different columns on the original Greek papyrus, however, Carson intentionally places these two thoughts on the same page in the English translation to invoke emotion from the reader. Upon reading this translation, the average reader would believe that Sappho is heart-broken over someone who has forgotten her and moved on to a different lover. The placement of these fragments on the same page implies that the love that Sappho speaks of is a female that loves a man more than Sappho. Carson’s editorial choice in this instance makes the reader pity Sappho for she is seen of as less valued than a man to her previous lover. The depiction of Sappho’s unrequited love is indicative of Sappho’s erotic behavior that has been continually depicted in the text. Sappho’s unrequited desire for other women is further expressed: I want ] of desire ] for when I look at you ]such a Hermione ]and to yellowhaired Helen I liken you ] ]among mortal women, know this ]from every care ]you could release me ] ]dewy riverbanks ]to last all night long† (Carson 41-43). From this fragment, it seems as if Sappho is physically attracted to Helen of Troy and would like to engage to in sexual intercourse with her. Sappho states, â€Å"from every care/ you could release me†¦to last all night long. † Her thoughts are already quite controversial without the editorial manipulation of Carson for they infer that that having sex all night long could lead to a sexual climax or release. This sex would be so earth shattering that they would release Sappho from â€Å"every care,† which could be societal boundaries, cultural norms or gender norms. Carson’s insertion of a comma between â€Å"among mortal women, know this,† however changes the meaning of this fragment entirely. This comma causes the reader to pause when reading Sappho’s thoughts and think that the following thoughts of engaging in sexual intercourse are directed solely to Helen. It is unknown as to whether Sappho intended for her thoughts of sexual desires to be directed toward Helen because the spacing before this phrase suggests that there is a line of poetry missing. Therefore, the insertion comma is critical to the reader’s understanding of Sappho’s desires and whom it is directed towards. With this comma, we understand that Sappho would like to break away from societal and cultural norms and engage in sexual relations with another woman. Without this comma, it is unknown as to who she yearns for, whether a man or woman. Carson assumes that Sappho wants to engage in sexual intercourse with a woman, when in fact it will forever be questionable as to who she directed these thoughts towards. Her strategic manipulation of punctuation proves that Sappho yearns for a female when in fact, there is nothing to substantiate these claims. Editorial manipulation clearly changes the way in which readers comprehend the meanings of a text. This is seen in Anne Carson’s translation of Sappho’s remaining poetry, where she controlled the way in which Sappho was portrayed to modern day society: as a highly sensual and erotic woman who engaged in same sex relations. Therefore, you can see that Carson inserts her own biases or predilections to depict Sappho as desiring or yearning women.